![]() The most obvious impact is that after shows and films are taken off streaming, all exposure for the people who worked on the titles vanishes into thin air. How does this affect the people who make these shows and films? That’s not to mention the marsh of rights issues which mean that some titles – classic, beloved, or niche – have just never been available on streaming! Luckily for you, Million Dollar Duck is not one of these titles. The streaming landscape is increasingly crowded we all complain about the number of companies we have to subscribe to now just to have some breadth of access. Photograph: HBOīut wasn’t part of the appeal of streaming services that we could watch anything we wanted, whenever we wanted?Įxactly! But like most things from the 2010s – say, planking or digital media – those halcyon days now feel like a distant fever dream. Westworld was once one of HBO’s biggest shows – and now they have removed it from HBO Max. ![]() ![]() But at least it managed to swing an overall profit, unlike its competitors: in the last quarter of 2022, Disney’s streaming services lost $1.05bn Warner Bros Discovery – which owns HBO Max – reported $217m in streaming losses. The bubble around the streaming boom of the 2010s has well and truly burst: last year Netflix reported its first subscriber loss in a decade. Some HBO shows are now being shopped to Netflix.īut another is that the streaming industry is entering its flop era. Some streaming services have also tried to sell their titles to other companies: the free, ad-supported platform Tubi, for example, is now streaming HBO’s Westworld and FBoy Island in the US. One answer is that it’s a cost-cutting measure: removing content from their libraries enables streamers to write them off as losses at tax time and pay out less in residuals – the fees paid to actors, writers, directors, and other creatives when TV shows and films are broadcast. Netflix, which has inured its users to frequent cycles of content disappearing from the system, drew headlines earlier this year when it announced that it would be removing Arrested Development, the last two seasons of which were made by Netflix – though that decision was later reversed. Showtime cut the Jeff Daniels crime drama American Dust Starz bid farewell to the period drama Dangerous Liaisons. HBO Max said goodbye to Westworld and Minx. ![]() Paramount+ has removed its Twilight Zone revival, helmed by Jordan Peele, as well as its ill-fated Grease remake Rise of the Pink Ladies and Star Trek spin-off Prodigy. And more!Īs much as I love to blame the house of mouse, this is industry-wide. These include: remakes of Black Beauty and Cheaper by the Dozen Kenneth Branagh’s adaptation of the YA fantasy lodestar Artemis Fowl the TV show of the classic fantasy film Willow and the docuseries The World According to Jeff Goldblum. Soon 76 titles, many of them high-profile offerings, disappeared from the Disney-owned streaming services Disney+ and Hulu. ![]() Classic titles bounce around streaming services all the time because of rights negotiations – but Disney+ was removing content that they made. ![]()
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